Arkansas Life “Sketchbook Feature”

I was contacted by Jordan Hickey, senior editor at Arkansas Life about interviewing for the Arkansas Sketchbook feature for August 2015. He had come across some of my work online – specifically Developed and Less Finished: Maintaining Life and thought it would be a good fit for the Arkansas Life A&E section. He would interview me and would feature a large image of one piece along with a short bio.

“Do you think that’s something you’d be interested in?”

Of course I would! How exciting! Who does that? What artists’ work gets viewed and then is asked to interview and be featured in a well-known publication? Me!!!!

We scheduled a phone interview and talked for about an hour. The next thing I knew I was the feature artist in Arkansas Life for August 2015.

  
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At the end of the article, there was even mention of the Wildwood art show! “Be sure to head over to Wildwood Gallery at Little Rock’s Wildwood Park for the Arts later this month, where LK will be exhibiting Developed and Less Finished: Maintaining Life from Aug. 21 to Sept. 20.” 

You can read the article arkansaslife.com/plumbing.

Valentine’s Day With The Damsels In Distress

The Damsels in Distress were asked to record at the KUAR studio for a music performance and interview for KUAR Arts & Letters Valentine’s Day show. You can read about what it was like recording on the KUAR Recording Studio post. This a special episode “Valentine’s Day With The Damsels in Distress” aired on KUAR with KUAR Arts and Letters.

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Here is a transcription of the radio show.

J. BRADLEY MINNICK = JB
LAUREN =L
MICAH = M

JB: In the spirit of Valentine’s Day on Arts and Letters, we are talking with Lauren and Micah Sukany of the Damsels in Distress. Their music is fun, post-modern, and quirky-cool.

Song – “We’re Gettin Married”

JB: Artists, song writers, children’s story writers, puppeteers, and performers husband and wife team The Damsels in Distress, Lauren and Micah Sukany – Welcome!

L: Thank you!

M: Thanks! Hi.

JB: So many of your songs deal with the not unsubstantial dilemma of marriage, getting married – as in “We’re Gettin’ Married” from The Family Album, “I Do” from This is Art, and “Mr. and Mrs.” from Spinning Plates – could you talk about the interstices of making art and music as husband and wife.

L: It’s like nothing else. I think I hear other people talk about their marriages and they – there is this sense of kind of having time away from maybe their significant other. But as a married couple working together on our own creative ideas, we’re compelled to come together at the end of the day to work on one of our one hundred projects that we have in mind. So, I think as, you know, being married and being band mates and that’s really how we fell in love, that’s how we experienced our entire courtship.

JB: What was your courtship like?

M: Our courtship was the band. That’s pretty much what we did. That was great because a lot of first fights are about inconsequential matters, and so were ours, but they felt much more important because they were creative inconsequential matters.

Song – “(Our) Songs”

M: So, we learned how to argue pretty effectively right off the bat.

L: Right, and like when couples boss each other around like, “Go get me this or that” it would be band mate stuff, so.

M: So, when we would play a show, like in Little Rock, and we needed to get back to Springfield and pack up like at one in the morning, we knew what the other person was like after a really long day – exhausted and cranky.

L: Early on.

M: Early on.

L: Yeah.

M: So, we knew what we were getting into when we married.

Song – “(Our) Songs”

JB: You write your song, “We’re Gettin’ Married” – “a February morning. It’s going to be cold for sure. But we don’t mind about the climb. Cause we’re going to get married.” What’s the climb been like?

L: The climb has been…

M: Good.

L: Ya, it’s – I just think there’s something about getting married at 24 that as you mature through your 20s and you’re going through other things you know, while you’re going through the marriage – I think that is what is most difficult. Just self development and learning responsibility and not say, “Oh, I’m going to blame the other person” because I have to be responsible now. But just learning how to be a responsible person, learning how to deal with problems.

Song – “I Do”

L: You know I think that is the general climb in that sense.

JB: You talked with me Lauren about how so few songs are written about married people.

L: Ya, well it just seems like a lot of love songs are about the longing or the pining or the forbidden love. Um, but there aren’t a lot of just these nice delicate songs of love – about lovers and marriage and um the intimacy of marriage.

JB: You write you’re “just out of step living in small town Arkansas” How does one live a fine line between routine and spontaneity?

L: I think you have to pay attention to your soul. And for us – being creative and living this very normal day to day, paying bills kind of life – I think as an artist and musician it gets really difficult sometimes.

M: She’s spontaneity. I’m trying to be in step. Her problem would be “how do you practice when you’re not writing? How do you practice when you’re not performing?” Mine is “how do I interrupt my rigorous practice schedule to write something or to do like a performance?” So, we compliment each other well in that respect.

JB: On your blog you write about a lot of processes, what are some of the processes.

M: Well, the key to the processes is really how the band started. In which I gave Lauren this demo tape of all these songs that I had written just to see what she thought of them. And then she played that tape while a tape player was playing and she sang over it.

Song – “Mr. and Mrs.”

M: That’s pretty much how it’s worked for most songs since. Is that I’ll be playing something and then she’ll complete it in the sense of that’s the melody that goes to that part or that’s the accompaniment that makes that line interesting. So much of what we do is responding to kind of like love letters. Each recording is like a little parcel of magic that we get to open at any moment. So, I can open up a little parcel when Lauren’s not home and listen to what she’s created and then add my part to it and leave it as a present for her to find.

Song – “We’re Gettin Married”

JB: Thank you to Lauren and Micah Sukany of The Damsels in Distress. You can follow their unique and imaginative website Paper Opera, which highlights their music, art, stories, and their artistic dog, Ein. Thanks to Chris Hickey for producing the program for Arts and Letters. I’m J. Bradley Minnick. Happy Valentines Day.

You can listen to this Valentine’s Day with the Damsels in Distress episode at ualrpublicradio.org/post/valentines-day-damsels-distress.

We also recorded “I Don;t Drive” at KUAR.

Song – “I Don’t Drive”

KUAR Listening Party: Civil Rights Brothers

M and I recorded for the KUAR Arts and Letters – “Civil Rights Brothers.” The show “Civil Rights Brothers” is based on Allan Ward’s book Civil Rights Brothers, The Journey of Albert Porter and Allan Ward which accounts his life as a civil rights activist. Both Porter and Ward organized demonstrations, meetings and literacy training in Jackson, Tennessee and continued to help the community in Little Rock, working with foster children, the homeless, and volunteering for public schools.

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We worked on various versions of “Mr. and Mrs.” and “It Is Well.”

On “Mr. and Mrs.” we really focused on the lyrics –
“We’ll make the changes. We’ll say what needs to be said. And then we’ll do them in our hearts and our heads.”

Although the song was originally written about taking marriage vows, these lyrics applied to what the “Civil Rights Brothers” show was about. The idea that it can be difficult to stand up for what is right, but if you know it to be right, sometimes all it takes is the willingness to say what needs to be said – then your actions will follow your resolve. What was really great was that the song was played throughout one of the stories Ward tells of how they met with Civil Rights activist Medgar Evers who had resolved that he would die for this cause, but that the martyrdom was necessary to reinforce the necessity of the movement.

On “It Is Well” we really focused on how the song was executed –
We wanted something that would attack the resolve of what the song is about. We created the song based on an aggressive bass line. For the lyrics, Micah sang into a dying tape recorder and recorded the play back of the tape.

The hymn was written by Horatio Spafford in a response to his tragic life events (financial ruin and the deaths of all of his children). We didn’t produce the entire song, but did use the following lyrics:

When peace, like a river, attendeth my way,
When sorrows like sea billows roll;
Whatever my lot, Thou hast taught me to say,
It is well, it is well with my soul.

My sin—oh, the bliss of this glorious thought!—
My sin, not in part but the whole,
Is nailed to the cross, and I bear it no more,
Praise the Lord, praise the Lord, O my soul!

It is well with my soul,
It is well, it is well with my soul.

Our version of the hymn was played during the show when Ward describes a very intense situation for Albert Porter during a selective buying march with students. It was an almost surreal moment when a man came out of the crowd with a pistol and violently threatened Porter’s life. Porter, who was so dedicated to the movement responded peacefully, “you must do what you think is best, and I will continue to do what I think is best.”

We attended the listening party at KUAR studios. We brought some white chocolate covered rice krispie treats dusted with coco powder and hot chocolate with marshmallows. Some of the other musicians that also worked on this show were there and we were given a private performance of “One Simple Prayer” written just for this show by Gil Franklin.

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We went to the studio and all listened to the show. We were able to talk about the show afterwards and it was a great discussion!

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Listen to KUAR Arts and Letters: Civil Rights Brothers.

Paintings for Livada: Sighisoara Tower

When I was on the missions trip with Grace Church serving the Livada Orphan Care ministry in Romania, the beauty of the country inspired me. I had the idea that when I got home to Arkansas I could paint these Romanian scenes and donate the paintings to Livada to raise money for orphan sponsorship.

Sighisoara was our one day excursion at the end of the trip – the touristy sight seeing adventure. After the group tour – the house in which Vlad Tepes, aka dracula, was born (now hosting a restaurant and a small museum of medieval weapons) – we had an hour or so to look around the city.

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I enjoyed a baked good and casually explored the 14th century city until I reached a tunnel of one thousand stairs.

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Well, it wasn’t actually one thousand stairs, but that’s what it felt like. There were some musicians at the top of the tunneled stairs playing some instrumental pieces. This was really cool because when I first started my month long hike the music was a faint echo, but as I got closer to the end of my journey, the music became louder and more pronounced.

I was rewarded at the top by a beautiful church.

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Right outside the church was this small house tower, which overlooked a graveyard.

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Image to Paint

8. Sighisoara Tower crop

Charcoal Sketch on Canvas

8. Sighisoara Tower Sketch

Painting Sketch (1st Coat)

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Painting Sketch (2nd Coat)

Sighisoara Tower 2nd Coat

Final Painting

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Paintings for Livada: Romania Poppy Field and Hillside

When I was on the missions trip with Grace Church serving the Livada Orphan Care ministry in Romania, the beauty of the country inspired me. I had the idea that when I got home to Arkansas I could paint these Romanian scenes and donate the paintings to Livada to raise money for orphan sponsorship.

There were many beautiful landscapes and Romanian scenery. This picture was given to me by a friend who is from Romania and held happy family memories with the flowers in the field.

Image to Paint

15. Romania Poppy Field and Hillside

Charcoal Sketch on Canvas

15. Romania Poppy Field and Hillside Sketch

Painting Sketch (1st Coat)

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Painting Sketch (2nd Coat)

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Final Painting

Romania romania poppy field and hillside final