The Bankrupt Circus and Other Misadventures

The Bankrupt Circus and Other Misadventures by J. Bradley Minnick has been published! You can buy a copy through Amazon, Barnes & Noble, or Bookshop.org.

The book is a compilation of short stories “Together, the stories form a portrait of America at its edges-where working-class rituals, childhood games, and neighborhood legends are transformed into metaphors for endurance.”

I worked on five of the story cover illustrations including “Notes from Tennis Camp,” “Fly Stand, Inquire Herein,” “Innocently to Amuse the Imagination in this Dream of Life is Wisdom,” “The Twisted S,” “The Last Telegraph,” and the dedication. Some of the stories that have links, you can read on East of the Web website.

I was working on story illustrations for J. Bradley Minnick prior to this project. His publisher suggested we collaborate on more, and that I be added to the book. I worked on these for about two months to meet the publication deadline. It was a very exciting time.

Here are a few studio pictures of the project!

Notes from Tennis Camp” was a really fun illustration because it was interactive. We purchased a tennis racket and tennis balls to get a feel for the story. The kids got to play tennis and we ended up with a really nice image on that one because of it.

“Fly Stand, Inquire Herein” was the grossest illustration to work on because of the pictures of flies and rats. I was trying to look without looking while I was painting.

Innocently to Amuse the Imagination in this Dream of Life is Wisdom” was a bit of a puzzle for me because I wanted it to look very classic. There are a lot of writers referenced in this story, and at first I was thinking of making their portraits, but landed on their head busts instead to further accentuate the old wisdom in literature. I also had to ask my mom to send me the title in her fancy cursive. I think she liked helping on this one.

“The Twisted S” was a seemingly simple illustration, but all of the components had to fit together just right for this one to work well. I got E.K. to model this one for me because she was the most flexible of the kids.

“The Last Telegraph” illustration was very much finished in my imagination after reading the story, so it was only a matter of painting all of the pieces. This small sketch is what I sent J. Bradley Minnick, so you can see that he’s very trusting of my imagination!

The Dedication illustration was inspired from my own family portraits wall.

I’m so thankful I got to work on this great project.

Artist Interview with Wildwood Park for the Arts

As an Arkansas Arts Council Arts on Tour artist, I recently had an art exhibition at Wildwood Park for the Arts. I was interviewed shortly after the exhibition by Wildwood.

What mediums do you work with?
In printmaking, I work with relief printing (linoleum and woodcuts), etching, and lithography. With painting, I work with mostly oil, but at times with acrylic, gouache, and watercolor. I enjoy drawing with different types of charcoal, pencils, and ink. I experiment with fabrics, fibers, and natural materials (papermaking).

Besides your art practice, are you involved in any other kind of work?
I write and record music with my spouse in our band “The Damsels in Distress.” We mostly create albums, but have been working with KUAR Arts and Letters to create music for their productions. We also have created a children’s story called “The Boy and the Firefly” that has accompanying music. We hope to explore more bookmaking and song ideas to accompany puppet shows.

What does a typical day in the studio look like?
I have a large to-do list and organize the project for that day. I lay out the materials I will need in order, and then begin working in a linear way. So, if I am going back and forth with multiple pieces or projects, it’s all ordered in a list of what to work on for each piece. I often will have an audio book (fiction literature – mostly classic literature or adolescent literature) playing or an old black and white movie going on in the background. I am alone in my studio and cannot work with others in my space unless they are intently working on something as well.


 
 
 

What are you presently inspired by – are there particular things you are reading, listening to or looking at to fuel your work?
I am currently working on a Romania landscape painting series. It was inspired from a missions trip I went on last year with Livada Orphan Care to Targu Mures Romania. Because the region was mostly country side, we had to drive each day to the on-site work location. I was completely inspired by the beauty of the countryside and took many photographs during these drives. I hope to finish these paintings early next year, where I will photograph them to place into an inspirational prayer book and donate the paintings to Livada to sell for orphan sponsorship.

What do you hope your work will accomplish? How do you want people to be affected, if at all?
I hope to use my work to connect with and help others. I think for others to be affected by my work differs for each series I work on. For the “Maintaining Life” series, I hope people are able to see how even the mundane can be otherwise from an altered perspective.

How do you navigate the art world?
I still have a lot to learn about the “art world.” In the meantime, I will continue to create, blog on paperopera.com, and exhibit my work.

L.K. Sukany at Thesis Show artistinterviewphoto

How would you define a “successful artist”?
Success is such a personal thing. For me, a “successful artist” is an artist who works, who likes their work, and who continues to challenge themselves in their work.

To see more of L.K. Sukany’s work, visit lksukany.wix.com/artist/.

You can also read the interview here.