Art Booth at the Starlight Gala

Because my small business supported the Christmas Angel, one of the perks was getting space for a vendor booth at the Annual Starlight Gala. “The Starlight Gala is a celebration of artists using their gifts to shine light into the world. Through performance and creative expression, we gather as a community to support Lighthouse for Life and their work bringing freedom, healing, and hope to survivors of human trafficking. When art and compassion unite, even the darkest places can be illuminated.”

My daughter E.K. had been making these felt stuffed creations and small nature watercolor paintings, so I thought we could both use the booth. I ordered a table from the library of things, had M pick it up (thanks M!), and found objects around the house I could use to display the art – a large drawer, two toddler bed rails, my oil painting easel, an art board, and a drawing board. E.K. used our old band pink suitcase, some recycled party decorations, a small table, and our napkin basket. We also used tablecloths and a small bit of lace.

I sold a couple of pieces, and E.K. just about sold out! Her sales pitch was “Hello, I’m raising money for my dance fund. Would you like to buy?” It was so straight to the point, and nine times out of ten people bought. It was fantastic!

I found a lot of my printmaking to take for the art booth. One of the pieces I sold was a man with a set of lenses or type of smartphone connected to his face.

The young couple who purchased the work asked me about it. I had to think back because I had made the piece over twenty years ago. I told them it was an idea I had of a man who could create his own world or reality through theses lenses or cameras with things he saw and what he chose to record or not. They looked at me politely, but seemed a little underwhelmed by my explanation. I realized later when I thought about it that it would have been very relevant to say “I made it in 2004 before smartphones came out, so it seemed like a novel hypothetical at the time.”

It reminded me of an old gentleman I worked for many years ago that would often tell me how he thought of this thing or that before it was mass produced. I didn’t realize the significance of that until now. We can see the direction the culture is headed and see the obvious implications of technology. With enough time however, the wonder of gadgets fades and we have a vague feeling we should have a least received a check for all the trouble. The human heart seems boundless in its ingratitude!

There were some amazing dance performances! So, here are some of the photos of the Nova Ballet Theatre dance troupe, which were taken by Sean at So’ Creative Studio.

Artist Interview with Wildwood Park for the Arts

As an Arkansas Arts Council Arts on Tour artist, I recently had an art exhibition at Wildwood Park for the Arts. I was interviewed shortly after the exhibition by Wildwood.

What mediums do you work with?
In printmaking, I work with relief printing (linoleum and woodcuts), etching, and lithography. With painting, I work with mostly oil, but at times with acrylic, gouache, and watercolor. I enjoy drawing with different types of charcoal, pencils, and ink. I experiment with fabrics, fibers, and natural materials (papermaking).

Besides your art practice, are you involved in any other kind of work?
I write and record music with my spouse in our band “The Damsels in Distress.” We mostly create albums, but have been working with KUAR Arts and Letters to create music for their productions. We also have created a children’s story called “The Boy and the Firefly” that has accompanying music. We hope to explore more bookmaking and song ideas to accompany puppet shows.

What does a typical day in the studio look like?
I have a large to-do list and organize the project for that day. I lay out the materials I will need in order, and then begin working in a linear way. So, if I am going back and forth with multiple pieces or projects, it’s all ordered in a list of what to work on for each piece. I often will have an audio book (fiction literature – mostly classic literature or adolescent literature) playing or an old black and white movie going on in the background. I am alone in my studio and cannot work with others in my space unless they are intently working on something as well.


 
 
 

What are you presently inspired by – are there particular things you are reading, listening to or looking at to fuel your work?
I am currently working on a Romania landscape painting series. It was inspired from a missions trip I went on last year with Livada Orphan Care to Targu Mures Romania. Because the region was mostly country side, we had to drive each day to the on-site work location. I was completely inspired by the beauty of the countryside and took many photographs during these drives. I hope to finish these paintings early next year, where I will photograph them to place into an inspirational prayer book and donate the paintings to Livada to sell for orphan sponsorship.

What do you hope your work will accomplish? How do you want people to be affected, if at all?
I hope to use my work to connect with and help others. I think for others to be affected by my work differs for each series I work on. For the “Maintaining Life” series, I hope people are able to see how even the mundane can be otherwise from an altered perspective.

How do you navigate the art world?
I still have a lot to learn about the “art world.” In the meantime, I will continue to create, blog on paperopera.com, and exhibit my work.

L.K. Sukany at Thesis Show artistinterviewphoto

How would you define a “successful artist”?
Success is such a personal thing. For me, a “successful artist” is an artist who works, who likes their work, and who continues to challenge themselves in their work.

To see more of L.K. Sukany’s work, visit lksukany.wix.com/artist/.

You can also read the interview here.