Printmaking Workshop Part III

In the Printmaking Workshop Part II, we left everyone’s linoleum block carved, stored, and ready to print.

I covered the tables with paper and handed out (with my lovely assistant Barbara Jones) printing paper, envelopes, palette paper for ink, ink, brayers, wooden spoons, paper towels, stamps, and an ink pad.

Everyone put their aprons back on and I gave an inking and printing demonstration.

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The printing process just took some getting used to, but everyone did a great job! They rolled the ink on the palette paper (which next time, I would just use cardboard strips instead of palette paper because the palette paper is pretty thin and shifts a lot when rolling out the ink). They rolled the inked brayer evenly onto their carved linoleum blocks, and transferred their image using a wooden spoon (rubbing the back of the paper on top of the block using the flat of the wooden spoon).

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Once the prints were a bit dry, they stamped inside of their cards.

  
 

I had 4 out of 12 participants finish their blocks the whole way through.

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Some of the finished prints!

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We took our “artist” picture together.


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Photos: Courtesy of Jessica Zimmerman Belote

Printmaking Workshop Part II

I made it to Romania with my suitcase full of supplies.

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In Printmaking Workshop Part I, I talked about the supplies needed for the printmaking/artisan card making workshop. Now I had arrived, and I was ready to teach how to make prints, and had willing and eager participants. I even had some guys in my class, which was a great surprise!

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I (and my assistant Barbara Jones) handed out everyone’s aprons (courtesy of Sara Bowyer, Stephanie Sue McDonald Baker, Beckie Sudduth, Maryann Baroody, Anita Davis, Mindy Clark, and Denise Nesbitt), drawing pencils (2b), erasers, pencil sharpeners, transfer pencils (6b), sharpie markers, drawing paper, tracing paper, linoleum blocks, and linoleum cutters.

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I instructed participants to draw the outline of the linoleum block and to draw an image inside of the block outline on their drawing paper. For those who were not comfortable drawing, I had some drawings made up that they could trace.

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Once they drew their images, they transferred them to tracing paper.

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They flipped the drawing on the tracing paper to transfer the pencil marks onto the linoleum block.

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Once the image was backwards on the linoleum block, they went over their image using a sharpie marker.

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At this point I demonstrated the proper way to cut (away from your hand and yourself at all times). I assisted in cutting.

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Once everyone’s blocks were cut, we cleaned up our work space and stored the finished blocks for the next session (the printing).

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Photos: Courtesy of Jessica Zimmerman Belote

Printmaking Workshop Part I

I am leaving for 10 days on a trip to Mures, Romania. I am going with a group from Grace Church to serve the orphans at Livada.

While there, I will be working as a summer camp group leader helping to create new and happy memories with the kids from the state group homes. We will be visiting the kids that are at risk of abandonment who live in the nearby Gypsy villages.

I also have an amazing opportunity to teach a printmaking – artisan card making – workshop (with the assistance of a translator) to a group of 10 girls over 16 years old. The girls often send out cards to their sponsors and to help with fundraising, so I will teach them to make their own cards!

To prepare for this trip, I ordered and packed the following supplies.

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Supply List
Block Printing Supplies
14 Block Print Ink – Black (1lb) all other colors  (1.25 oz) – silver, violet, turquoise blue, white, yellow, green, brown, gold, magenta, orange, blue, and red.
5 Linocutterset (comes with 2 handles and 6 cutters)
5 Soft Rubber Brayers 3inch
4 Artist Working Knife (for spreading and mixing ink)
2 Palette Pads 9×12 50 sheets
14 Mounted Linoleum Block 5×7
4 Mounted Linoleum 4×6
10 wooden spoons (for printing)
1 pack of cardstock (for printing on cards)
1 pack of envelopes
trash bags
hand cleaner – soap
small plastic cups (for water and clean up)
papertowels
working aprons (hand sewn and donated by friends in my community)
stamp letters and ink pad (for message inside the card)

Drawing and Transfer Supplies
10 Pencil Sharpeners
20 Drawing Pencils (10 of each 2 b and 6b)
2 derwent Inktense Pencil Black
10 White Plastic Erasers
5 Sharpie Black
1 Stainless Steel Ruler 18in (for taring paper)
2 Newsprint Pad 9×12 50 sheets
2 Drawing Pad 9×12 80lb 50 sheets
1 Tracing Pad 9×12 25lb 50 sheets
1 package of white card stock paper 110lbs
1 box of 6 9 envelopes

I am bringing also a sample block already carved and some print samples.

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I have packed the workshop in a suitcase a little under 50 pounds.

When I return, I will blog about the specifics of the printmaking – artisan card making – workshop, and any art, music, or writing experiences I have along the journey!

Listening Party Experience

This is a “selfie” on one of the happiest days.

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I went to a fancy listening party downtown in the 300 Third Tower. The listening party was in the party room and the view of downtown Little Rock was really nice.

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The listening party was for the KUAR Arts & Letters, “Searching for Latini” episode. UALR Chancellor Joel Anderson came to the event and even gave a short speech of his support for this project.

So, what does any of this have to do with me, and why do I look so happy in the selfie?

In December last year, The Damsels in Distress were hired to create music for a new program on KUAR called Arts & Letters. We wrote the opening theme music – also used for the radio spots – based from “Corey’s Song.”

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The first show, “Ethics Bowl” aired in January. It was about what “ethics” are and played a sample Ethics Bowl.

From left: Marla Cole, Angela Johnson and Dr. Allison Merrick hold a trophy after competing at the Texas Regional Ethics Bowl in San Antonio, Texas. Credit ualr.edu

From left: Marla Cole, Angela Johnson and Dr. Allison Merrick hold a trophy after competing at the Texas Regional Ethics Bowl in San Antonio, Texas.
Credit ualr.edu

On one hand, we wanted the music to emphasize the experience of a game show -poppy, fast, bright, upbeat, but also with an edge (for the feel of competitiveness). We also wanted to put a serious tone for the idea and debate of “ethics.”

Here’s how it works.

As composers, we get a phone call. In the call, there is a title and description of the coming show. The discussion extends to what sort of music that specific show needs in terms of how many songs, length of songs, the general “feel” or “mood” of the show. This call is followed up with an email of the script. We (The Damsels in Distress) each read through the script and then together, we brainstorm general ideas – kind of like story boarding, but with music.  We grab our instruments and go to separate rooms and write.


  

We come back together and do a rough recording of what we wrote. We write off of each others initial song, and create a “sketch” – which is a more detailed recording with many different parts we can mute/unmute. Once we get the detailed sketch we like, we record on our more professional gear.

 

This does not all happen in one day! This process takes weeks. Once we have recorded and are satisfied, we email the files. From here, we may need to rewrite or rerecord songs based on what the producer wants. The show airs, and we get a check in the mail.

So, back to the Listening Party.

At the Listening Party everyone that worked on the show ate delicious Thai food catered by Chang’s and listened to “Searching for Latini” live. It was super exciting – much like an actor’s cast party when the production is completed. It was also the first time a lot of us got to meet each other because so much of the show is done through phone conversation, email, and separate recording sessions.

“Searching for Latini”  is about Brunetto Latini, the teacher of Dante and the first translator of Aristotle and Cicero into a vernacular language. We wanted the music to sound Italian/Italian Renaissance for this show.

Listen to Searching for Latini here!

Credit Parlor Press

Credit Parlor Press

Listen to the songs we wrote for “Searching for Latini” here.

SongsforKUARDisc

Art Romance

What do you think of when I say “hot date night” or “a night out on the town?”

M took me out for one of these. We went and looked at rows and rows – touching every corner of smooth and toothy – cream, white, and toned – thick and thin – pages of sketchbook paper.

M bought me a Canson Sketchbook – 7 x 10 – 98lb and a 12 pack of Derwent Inktense pencils. $$$$

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Well, I did say it was a date!

Of course when we got home, I immediately went to my studio to see what these Inktense pencils were all about. Which is probably the downside for M of taking me on an art date.

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The Inktense pencils are ink based, so after applying water, the ink dries and another layer of ink pencil can be added. Something else I think is really great about the Inktense pencils – and this is for the printmakers out there –  the inktense pencils blend well when working with water based ink. This means that if you print and some parts of your print comes out grainy, you can cover that up with the Inktense pencils.

Pretty cool stuff!

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I sketched an owl because I have been looking at the owls from Raptor Rehab of Central Arkansas.

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I have been drawing this circle pattern for weeks now at work meetings and at Grace Church on Sundays – so I put it in with the owl sketch.

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