I created a jazz ensemble mural for Hoover Music Company in Springfield, MO in 2006. When we moved back to Springfield in June, I noticed the mural was looking a little faded. I stopped in and left a note letting them know I was back in town and would be happy to touch up the mural for them. They responded the next day and hired me on.
I worked on it for a couple of hours each day to let the paint dry. I packed an old suitcase with acrylic paint (Winsor & Newton Galleria: Burnt Umber, Yellow Ochre, Mars Black, Cadmium Yellow Medium Hue, and Pale Umber. Golden: Cadmium Red Medium Hue and Burnt Sienna. Liquitex Basics: Raw Sienna. Liquitex: Raw Umber. Grumbacher Academy: Titanium White and Burnt Sienna), Golden Heavy Gel medium, brushes, soap, latex gloves, paper towels, palette knife, apron, hat, slippers, plastic cups, double sided tape, baking pans, palette paper, painters tape, sunscreen, Dr. Bronner’s Soap, wash cloths, and one shot sealer. I also brought a tarp, step ladder, and jug of water.
Day 1: I washed the mural with Dr. Bronner’s soap and water and rinsed with water. I went over all of the figures outlines with a dark gray – almost black. I painted the woman’s dress a bright red straight from the tube, but ran out of paint at the bottom.
Day 2: I covered the red dress again to make the color a bit brighter and richer. I repainted the microphone and stand and the saxophone. I repainted the upright bass using a flat burnt sienna for the bass body.
Day 3: I repainted the guitar and put a second coat of flat burnt sienna on the upright bass.
Day 4: I reworked the dark gray – almost black outline.
Day 5: I created a medium gray and doubled the outline next to the dark gray – almost black outline. I created some shadows and curves to the red dress. I added some shading and highlights to the upright bass.
One of the best things about being a freelance artist is that I never know where I’ll be or what sort of project I will be working on next.
Paper Opera 