The Bankrupt Circus and Other Misadventures

The Bankrupt Circus and Other Misadventures by J. Bradley Minnick has been published! You can buy a copy through Amazon, Barnes & Noble, or Bookshop.org.

The book is a compilation of short stories “Together, the stories form a portrait of America at its edges-where working-class rituals, childhood games, and neighborhood legends are transformed into metaphors for endurance.”

I worked on five of the story cover illustrations including “Notes from Tennis Camp,” “Fly Stand, Inquire Herein,” “Innocently to Amuse the Imagination in this Dream of Life is Wisdom,” “The Twisted S,” “The Last Telegraph,” and the dedication. Some of the stories that have links, you can read on East of the Web website.

I was working on story illustrations for J. Bradley Minnick prior to this project. His publisher suggested we collaborate on more, and that I be added to the book. I worked on these for about two months to meet the publication deadline. It was a very exciting time.

Here are a few studio pictures of the project!

Notes from Tennis Camp” was a really fun illustration because it was interactive. We purchased a tennis racket and tennis balls to get a feel for the story. The kids got to play tennis and we ended up with a really nice image on that one because of it.

“Fly Stand, Inquire Herein” was the grossest illustration to work on because of the pictures of flies and rats. I was trying to look without looking while I was painting.

Innocently to Amuse the Imagination in this Dream of Life is Wisdom” was a bit of a puzzle for me because I wanted it to look very classic. There are a lot of writers referenced in this story, and at first I was thinking of making their portraits, but landed on their head busts instead to further accentuate the old wisdom in literature. I also had to ask my mom to send me the title in her fancy cursive. I think she liked helping on this one.

“The Twisted S” was a seemingly simple illustration, but all of the components had to fit together just right for this one to work well. I got E.K. to model this one for me because she was the most flexible of the kids.

“The Last Telegraph” illustration was very much finished in my imagination after reading the story, so it was only a matter of painting all of the pieces. This small sketch is what I sent J. Bradley Minnick, so you can see that he’s very trusting of my imagination!

The Dedication illustration was inspired from my own family portraits wall.

I’m so thankful I got to work on this great project.

Art Show at the Springfield Art Museum

I received an email from the Springfield Art Museum last year saying that they wanted to kick off a new gallery space in their gift shop to display art from the locals in Springfield. I submitted my work and was truly thrilled to receive an acceptance letter. My painting “Conversation Homesick” from the “Developed and Less Finished: Maintaining Life” series is now on display for the next six months as part of the “Art in Our City” exhibition at the Springfield Art Museum.

IMG_3083

IMG_3080

Read about the “Art in Our City Exhibit” details here.

 

There is an article about the exhibit in the SGF Neighborhood News.

The Process of Hanging an Art Show

This is an informative post about the general process that I use to hang an art show. Of course, different spaces require different solutions, but this is basically what I do when approaching hanging an art show.

This is my process of how I hang an art show:
#1 Once the paintings are in the space I organize them – leaning them against the wall. This way I can get a pretty good idea of how they will look in the space and with each other.

#2 I unload the contents of my show-hanging bag which includes: hammer, picture hangers (50 lbs), blue painters tape, white artist tape, pencil, pencil sharpener, eraser, art labels (in a recycled stationary box), notebook (with secret formula), tape measure, ruler, level, writing pen, and micron ink pens. It’s also practical to bring a step ladder to these kind of things.

#3 I measure the space between the wall edges and the paintings, so that they are all even.

#4 I work out the eye level for each piece by using the secret formula. Because the whole reason I have made this blog was to share with you my artist process, I am going to share the secret formula! Make sure to include the frame for all measurements. Also, if you are getting numbers like “.185” just round up to quarters (.25, .5, .75).

THE SECRET FORMULA FOR HANGING ART
Measure the Length (up and down) and divide it by 2 = x
Measure the Length (up and down) from the highest point of the picture hanger (when pulling up on it) and the top of the painting = y
Subtract x from y and add 56. x-y+56=z (The standard eye level is 56-58, but I’m a bit on the short side, so I favor the 56.)
Place the tape measure on the floor in the center of the painting and pull up all the way to whatever number z was and mark a dot in pencil on the wall. That is where you will put your picture hanger.
Example: 50.5 ÷ 2 = 25.25 (x) – 10.5 (y) + 56 = 70.75 (z)

#5 Hang work and use the level tool (a level is a tool to make sure the painting is not hanging crooked). Place piece of painters tape or artist tape on the back of the art labels and place next to the piece wherever it looks good – usually on the bottom right about an inch or so from the artwork. I also use tape to mount my artist statement.

Art Show at Bookmarx

In December 2016, I went into Bookmarx – this little locally owned bookstore on Walnut Street – with a friend. I noticed they had a gallery space in the back that was surprisingly large. I started talking with the owner Aubrey. She told me to send her an email with some samples of my work. I did send her some samples and she liked them. She said an artist had backed out for March, and I said that would be great to show then.

bookmarx

I went by about a month before set up and measured the space. I like to know which pieces will fit in the space in advance. I drew up a diagram of the space and was able to fit almost the entire show in it.

img_8023

img_8031

I took the unframed pieces to Gallery Gal. I really wanted the frames to match and knew they could get the job done! Matthew was able to match the exact wood (soft maple).

img_8577
img_8578 img_8579

In the meantime, I sent Aubrey info  (including a picture of the exhibition postcard, artist bio and the artist statement) for the Springfield Regional Arts Council promotional information for the First Friday Art Walk.

firstfriday screen-shot-2017-03-02-at-8-39-39-pm

As is always the case, time flew by and it was already time to go set up the show. M offered to take the paintings to Bookmarx for me and as he’s been pretty active at Royal Barbell these days, he had no problem loading and unloading all 13 pieces for me. Then after calling Gallery Gal for some help with hanging the artwork I put my show-hanging bag together and my work boots on and headed out.

This is my process of how I hang an art show:
#1 Once the paintings are in the space I organize them – leaning them against the wall. This way I can get a pretty good idea of how they will look in the space and with each other.

#2 I unload the contents of my show-hanging bag which includes: hammer, picture hangers (50 lbs), blue painters tape, white artist tape, pencil, pencil sharpener, eraser, art labels (in a recycled stationary box), notebook (with secret formula), tape measure, ruler, level, writing pen, and micron ink pens. It’s also practical to bring a step ladder to these kind of things.

#3 I measure the space between the wall edges and the paintings, so that they are all even.

img_8031

#4 I work out the eye level for each piece by using the secret formula. Because the whole reason I have made this blog was to share with you my artist process, I am going to share the secret formula! Make sure to include the frame for all measurements. Also, if you are getting numbers like “.185” just round up to quarters (.25, .5, .75).

THE SECRET FORMULA FOR HANGING ART
Measure the Length (up and down) and divide it by 2 = x
Measure the Length (up and down) from the highest point of the picture hanger (when pulling up on it) and the top of the painting = y
Subtract x from y and add 56. x-y+56=z (The standard eye level is 56-58, but I’m a bit on the short side, so I favor the 56.)
Place the tape measure on the floor in the center of the painting and pull up all the way to whatever number z was and mark a dot in pencil on the wall. That is where you will put your picture hanger.
Example: 50.5 ÷ 2 = 25.25 (x)10.5 (y) + 56 = 70.75 (z)

#5 Hang work and use the level tool (a level is a tool to make sure the painting is not hanging crooked). Place piece of painters tape or artist tape on the back of the art labels and place next to the piece wherever it looks good – usually on the bottom right about an inch or so from the artwork. I also use tape to mount my artist statement, which I have printed on large, shiny foam board.


 

The art opening was the next day. The art opening is typically when the artist is present at their show. It may be a time for them to meet and maybe make some fans too.


 

There was a pretty good turnout – a lot of my friends came out. Thanks friends!


Paintings for Livada: Romanian Woman with Cane

When I was on the missions trip with Grace Church serving the Livada Orphan Care ministry in Romania, the beauty of the country inspired me. I had the idea that when I got home to Arkansas I could paint these Romanian scenes and donate the paintings to Livada to raise money for orphan sponsorship.

We drove everywhere from the group house to the places and people we would serve for the day. As we were driving, I kept holding my camera against the car window and snapping pictures along the road side.

IMG_2564 IMG_2650
IMG_2688 IMG_2825 IMG_2708
IMG_2717 IMG_2823

I got so many great shots, but this old Romanian woman with a cane really stood out to me.

Image to Paint

5. Romanian Woman with Cane

Charcoal Sketch on Canvas

Romanian woman with cane sketch

Painting Sketch (1st Coat)

Romania Woman with Cane

Painting Sketch (2nd Coat)

Romanian Woman with Cane 2nd Coat

Painting Sketch (3rd Coat)

img_5699

Final Painting

img_5731